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• NEW CINDERELLA MOVIE MOVIE

If it weren't for the electric saws featured in the movie's first musical number, we might situate this story near the end of feudalism, when a rising wave of new money challenged the rigid layers of medieval society. This time, our heroine's ticket out of poverty is not via marriage with a noble her sights are firmly set on the merchant class. In 2021, the rags-to-riches aspect of Cinderella is fully Americanized into a Horatio Alger tale of social mobility. In the sickeningly saccharine 2015 remake, at least this scene is more causally grounded: the fairy godmother first tests Cinderella's kindness by posing as a beggar in order to establish that she's worthy of a miracle. Even Disney's 1950 version avoids asking anything of the heroine the fairy godmother is summoned by her faith alone.

Thus, most adaptations of Cinderella used to focus on its moral side, as a tale of quiet kindness receiving its prize while active meanness was punished. This does not have to translate into an indictment of the tale's quality she can be read as what writer and editor Vida Cruz recently called a mountain character, one who is besieged by every type of injustice and whose mere daily survival is already a victory. Her happy ending is not caused by anything she does, but by who she is deep inside. That's the unifying explanation for the massive revisions done to the source material.Ĭlassic Cinderella isn't the most proactive of protagonists.

NEW CINDERELLA MOVIE MOVIE

A brown-skinned commoner with her own fashion line who rescues a reluctant prince from the strict expectations of the royal family? A movie produced by James Corden, the same who welcomed the ex-prince and ex-princess to Los Angeles and has publicly come to their defense? A heavy-handed critique of the ways life in the palace turns women into props for the ego of kings? A romance fantasy where everyone speaks British except for the American-accented heroine? Principal photography for Cinderella started in early 2020, just as Megxit was blowing up, and the parallels are impossible to ignore. The characters, incidents, and locations portrayed and the names herein are fictitious, and any similarity to or identification with the location, name, character or history or any person, product or entity is entirely coincidental and unintentional."ĭon't believe one word of that statement. You see, after the end credits, there is the obligatory disclaimer, "This is a work of fiction. When Amazon Studios announced that it was preparing its own version of Cinderella, many obvious questions emerged: Who needs this? Who asked for this? And what new angle can you possibly add to the overcrowded menu of fairy tale musicals?Īs it turns out, the new Cinderella knows fully well what media ecosystem it's entering, and it replies with a resounding justification for why this needs to exist. These days it feels like we're up to the brim in fairy tale remakes.